The Timken Museum, San Diego
Witness
to War: Callot, Goya, Bellows
On
view January 27 - May 28, 2017
Article by Cathy Breslaw
Goya Disasters of War No. 39 lithograph 1810-1820 |
Witness to War is a
selection of more than 100 works of a combination of etchings and iithographs
documenting the consequences of war. A selection of works by three artists,
Jacques Callot, Goya, and George Bellows, the exhibition spans wars from the 17th
to 20th centuries. It covers three different centuries including the
Thirty Years War (1618-1648), Napoleonic Wars (1803-1815) and World War 1 (1914-1918). These artworks portray wars’ suffering,
savagery and abuses in a straightforward, honest and sometimes brutal way.
There are a series of 18 etchings by French artist Callot depicting soldiers pillaging and
burning their way through towns, country and
convents, Francisco
de Goya’s series of 80 prints are
entitled The Disasters of War and The Tragedies
of War. He depicts mutilation, torture, rape and
many other atrocities besides – performed, indiscriminately, by French and
Spanish alike. German atrocities of war in their invasion in Belgium during
World War 1 were graphically depicted by American artist George Bellows. It is
fascinating to study and observe the similarities and differences evident in
each century’s wars depicted by these three highly acclaimed skilled and
knowledgeable artists of their time, each examining war during their respective
years.
In a unique collaboration with the San Diego Symphony, Special Project Director Nuvi
Mehta choreographed a soundscape for the exhibition using the music of
composers Dmitri Shostakovich and Gustav Mahler who produced symphonies
influenced by their own experiences with wars’ brutality. The music, though
heard in low volume, adds a fascinating dimension to the visual works on the walls,
enhancing the emotion and intensity of the works.
Witness to War provides viewers an opportunity to see war through
the eyes of Callot, Goya and Bellows who each viewed war through the lens of
their own particular time in history.
The beauty of the lithographs and etchings exist in stark contrast to the
atrocities they depict, which when closely observed, are quite evident.
This exhibition is
on view through May 28th.
Francisco de Goya, Gatesca pantomime (Feline pantomime)
(Plate 73 from The Disasters of War),
ca. 1810,
Published 1863, etching, burin, and burnisher,
Print Collection, University of San Diego
|
George Bellows (1882-1925)
Base Hospital, Second
Stone, 1918
Lithograph, 17 13/16 x 13 3/8 inches
The San Diego Museum of Art
Gift of Michael and Dru Hammer, The Armand Hammer Foundation
2000.111
|
No comments:
Post a Comment