Cathy Breslaw's Installation

Cathy Breslaw's Installation
Cathy Breslaw's Installation:Dreamscape

Monday, August 6, 2012

Review of Photographer, Michael Kenna's Black and white ethereal and contemplative work


Michael Kenna’s New and Classic Images exhibition at Joseph Bellows Gallery in La Jolla comprise a selection of  black and white ethereal and contemplative photographs. These fifty images span twenty years and thirteen countries. Kenna has been photographing for forty years and still relies on Kodak film in spite of the growing digital marketplace. He makes his own sepia toned silver gelatin prints in a traditional darkroom, creating precisely 7 ¾” square images which are dry mounted on 16” x 20” museum board. He doesn’t deviate from his methods and there seems to be no reason he should. His remarkably atmospheric and surreal architectural and landscape scenes are uninhabited but hint at human intervention.

Kenna has traveled the world taking photographs and has spent countless nights outdoors using sometimes ten to twelve hour exposure times to create his vision of the locations he is capturing on film. Some images possess the stark contrast of darkness against the drama of focused light like a Rembrandt painting while others portray a dreaminess -  a misting and blurring of objects against a distant cloudless sky.  One group of images in the show closely resemble delicate line drawings or detailed paintings rather than photographs.  Many of Kenna’s images were photographed in southeast asia and directly reference Chinese or Japanese brush painting.

Michael Kenna’s work possesses a universal classic style with a unique personal vision – seemingly a travelogue marking places he has been and places we would all like to visit.
review by Cathy Breslaw

Monday, July 30, 2012

Fired Up and Ready to Go: Interview with Ann Berchtold, Managing Director, San Diego Art Fair


Curiosity drew me to inviting Ann Berchtold for an interview. For three years I have attended the San Diego Contemporary Art Fair, held each September, showcasing contemporary art galleries, art dealers, furniture designers, art labs, and solo artists from around the U.S. and other countries. Having attended several other art fairs and art related trade shows over the years, I have been impressed with San Diego Art Fairs’ unique point of view, lively and engaging weekend long series of events and its celebratory approach to presenting visual art. Ann Berchtold is a savvy businesswoman who sees the importance of creating an ‘art experience’ as a way of capturing the publics’ attention. In 2011, the fair had a record 8,000 visitors, and went from 27 gallery booths in 2009, to the 61 expected in September, 2012 at the Activity Center at Balboa Park.

The title of this year’s fair, “New Art City”, comments on Berchtold’s belief in and enthusiasm for the city of San Diego as an important contemporary art destination. The seeds for San Diego’s first art fair were sown in Miami where Ann first experienced a contemporary art fair. Having been a frequent visitor to Miami during her growing up years, she said she was “blown away and turned on” by what Art Miami did for that city, its growth as a travel destination and art town. She commented “It was a game changer for Miami and if Miami can do, so can San Diego.” Ann came home after Miami and enlisted the support and help of her friend Julie Schraeger, and together they began their research into art fairs, learning ways they could move forward with their vision. During 2007 and 2008, they visited many art fairs around the U.S. learning from the directors of those fairs, while simultaneously doing outreach to the San Diego art community leadership, meeting with civic advisory groups and were able to bring partners and sponsors on board to launch the first San Diego Contemporary Art Fair in September, 2009. Today, the fair has United Bank of Switzerland as their largest sponsor and partner – the same bank that supports Art Basel, considered to be the largest and finest contemporary art fair in the world.
                                                    
Ann Berchtold is not an artist and what brought her to San Diego was college.  She attended San Diego State University, majoring in Business and Marketing. While in school, Ann worked at Rancho Valencia Resort in Rancho Santa Fe for several years and when she graduated, her boss offered her the job as Catering Director. From there, she moved to San Francisco to the Ritz Carlton where she worked as Catering Director and handled many large special events. Through these jobs, Berchtold honed her skills in logistics, project management and the organization of large complex events. When asked how she developed a passion for the arts, Ann attributes it to her family.  Raised in Michigan, Berchtold is one of four children with three brothers, all of whom, including her parents, are in the arts. She minored in fine art in college and along the way unleashed an entrepreneurial spirit as she brings people, art, and music together.

Ann began her art connection in the San Diego community as director of the L Street Gallery, in the Omni Hotel while developing a website featuring local artists and events. In 2007, she teamed up with Patricia Frischer, to launch the San Diego Art Prize exhibition at the gallery. They were able to obtain a grant for this well received exhibition and the San Diego Art Prize continues as one of the featured events of the San Diego Art Fair.

Over the four years of its existence, the fair has developed a list of thousands of art collectors, and has attracted more and better galleries. This year’s New Art City’s venue is in Balboa Park so that there is a collaboration with the museums and attractions of the park and promises to engage an ever growing audience of support and participation. The fair has moved from the Grand Del Mar to the San Diego Hilton and now hopes it has found a home in Balboa Park. Berchtold is looking towards 2015 which is the centennial celebration of the park and wants the San Diego Art Fair  to be a leading contributor to the events.

Ann Berchtold hopes to build a new kind of art fair – changing it up from a predictable grid-like system of exhibitor booths to showcasing all of what San Diego has to offer uniting artists, musicians, art collectors, sponsors, and partners, together with galleries from around the U.S. and the world. Armed with unbridled optimism, enthusiasm and the creative passion of an entrepreneur, it looks like she will continue to succeed.
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For more information about the New Art City Art Fair at Balboa Park taking place September 6 – 9th, please visit www.artsandiego2012.com

Cathy Breslaw is a southern California visual artist, writer and lecturer who has had over 25 solo exhibitions, and 50 group exhibitions across the country at museums, art centers, college and university galleries and commercial galleries. Her work can be found in many private and corporate collections.
Her work and writing can be seen at:
cathybreslaw@roadrunner.com


Tuesday, July 24, 2012

Behind the Scenes Conversations: Interview with Erika Torri, Executive Director of the Athenaeum, Music and Arts Library, La Jolla CA




Erika Torri is the Executive Director of the Athenaeum, Music and Arts Library in La Jolla.  She became director in 1989, so for the past 23 years, Erika has seen the Athenaeum through design and building renovations, an expansion of staff, the development of arts book collections, studio art school, and the growth of many music and art exhibition programs.  As she walked me through the spaces of the building, I could sense the pride and passion she has for the athenaeum and what she and others, under her direction, have accomplished there.


Robert Kushner, ScriptoriumThe Athenaeum is a unique cultural institution in San Diego county and is one of only 16 non profit libraries in the U.S. Devoted exclusively to music and art, it is an amazing resource for books, reference materials, CDs, and DVDs – it has one of the most important collections of artists books in Southern California. For a small yearly fee, members can borrow materials and take part in the large calendar of events taking place throughout the year including concerts, exhibitions, lectures, studio art classes and special programs.                                                                                     
                                               
During our conversation, Erika explained that what exists today as the Athenaeum has actually taken every bit of the 23 years to be created and developed. Over the years, 5 million dollars has been raised to create what exists today. Erika oversees a current 1.5 million dollar budget, which is raised through fundraisers, member dues(currently 2300 members), grants , donations and school fees. Erika has developed a staff of over 20 who help in running this multifaceted music and arts library and its accompanying programs.

When Erika was hired, she was told she was the “perfect person for the job” and as we talked, and as the “whole” of her background unfolded, it was easy to see why.  Erika Torri was born and raised in Bremen, a city in northern Germany. When asked about her arts background, Erika explained that in the years after World War II, there was a lot of emphasis placed on arts and culture, and she frequently visited museums, theater, and opera and as a result of this influence, she minored in music for her undergraduate degree.  She was educated at the University of Hamburg where she received a masters degree in Library Science. Originally she thought about getting a degree in Chemistry or Pharmacy, but quickly learned that Library Science would have better job opportunities. During her training she did a series of internships, the most noted being at the
Sorbonne in Paris.




Erika had always had an interest in coming to the U.S. for an extended visit so when she completed her schooling, she found a way to live in New York City for a while and then went to Boston for an internship at a library - there she met her future husband, Fred, who was studying at MIT. She returned to Germany to her family and then married her husband and moved permanently to the U.S. For a few years they stayed in Boston and Erika was a librarian at Harvard’s medical school.  Her husband’s job then brought them to San Diego where she has lived for the past forty years.

                                                                                         


Erika’s interest in visual art first began with weaving.  As a 12 year old, Erika met a woman at her church who introduced her to the craft and taught her how to use looms. This introduction to weaving has grown and sustained over many years and she still keeps several looms at her home.  When her two daughters were in school, Erika spent her time weaving very small art pieces which she exhibited and sold widely across the country.         




Erika’s weaving was interrupted when she was offered a part time librarian position at MOCA in La Jolla.  This worked well as she could balance her family responsibilities with a job.  She speaks of this as a wonderful time when she was exposed to many contemporary artists and their work. She was especially taken with the work of sculptor, Mauro Stacciolli who she had an opportunity to meet. It was during this time that the Athenaeum was looking for a librarian and after long consideration, decided to take it. Still wanting to balance home and work, Erika took It as a part time position, working 12 hours per week. Shortly after Erika took the job at the Athenaeum, the Director left and she took on the added responsibilities of overseeing all the renovations of the building going on at that time.



As the years went on, Erika developed the art exhibition program which exists today.  Artist exhibitions include the yearly  juried exhibition which is selected by outside jurors or by invitation by Erika and the arts committee. There is no particular curatorial system for selecting artists, but she welcomes artist packets if their work has some connection to the mission of the institution – having to do with artist books, music or the written word.
While there is great participation and enthusiasm in the community for the Athenaeum, Erika’s
wish is for everyone living in La Jolla to become a member. Though there is outreach to all 8 districts in the school system, many kinds of events, concerts and lectures, Erika believes there are still many folks who are still unaware of all that is available at this wonderful music and arts library. It is truly a crown jewel of San Diego county and in large part, we have Erika Torri to thank for it.

**Photo Images: (in order of top to bottom) Robert Kushner, Scriptorium:Devout Exercises of the Heart, 2012
                                                                                  David Adey, John Henry, 2010
                                                                                Adam Belt, A Religious Experience, 2011
                                                                                Kathy Miller, Leaving a Mark, 2006
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Cathy Breslaw is a southern California visual artist, writer and lecturer who has had over 25 solo exhibitions, and 50 group exhibitions across the country at museums, art centers, college and university galleries and commercial galleries. Her work can be found in many private and corporate collections.
Her work and writing can be seen at:
www.cathylbreslaw.com                                                      www.artfullifebycathy.blogspot.com                   cathybreslaw@roadrunner.com







Monday, July 9, 2012

The Gap Between: A Poem


The Gap Between

Black, empty, still.
A space to contemplate what is
In my mind’s eye.

No eyes, or ears or legs or hands – a completely helpless place.
 And a seed lies covered, buried and waiting for the miracle.

Schedules and  signs missing  - in the deep silence.
Floating motionless,
I watch – anticipating,
Is today the day?

Monday, July 2, 2012

Behind the Scenes Conversations: Karen McGuire, Curator of Exhibitions, William D. Cannon Gallery

Behind the Scenes Conversations:

article by Cathy Breslaw

Karen McGuire, Curator of Exhibitions,

William D. Cannon Art Gallery, Carlsbad,CA
From the moment I sat down for an interview with Karen McGuire, I could sense the joy she has for her work. Karen has been the Curator of Exhibitions for William D. Cannon Art Gallery since 1999. Having been a resident of the Carlsbad/Encinitas area for many years and a frequent visitor to the adjacent Carlsbad Dove Library, I have often had the pleasure of stopping in to the gallery. I have always enjoyed the wide range of work in these exhibitions so talking with Karen was an opportunity to learn more about the person orchestrating and implementing all these exhibitions.

Part of why I enjoy interviewing people engaged in the art community, is to understand the source of their passion for the arts. Karen traces her love of drawing back to early childhood. Her father who was an amateur artist, gave her an oil paint set when she was in kindergarten. This opened the door to years of making art. Later attending a community college in Orange County, Karen took several studio classes. Her goal of becoming an artist continued until life intervened when she married, had children and began an eighteen year stint helping run some family restaurants in southern California. After her marriage ended, Karen returned to school at Cal State Fullerton where she completed a B.A. in Art History and an MFA in the Exhibition Design and Museum Studies program.

Karen’s motivation for her transition from making art to curating exhibitions came from a Museum Studies class she took at Saddleback College. Karen lends credit to her instructor, Patricia Levin, for introducing her to the idea of becoming a curator and, together with her art history background, realizing she was well suited to this career path. When she completed her masters degree, Karen was invited by Bill Riley, another instructor at Saddleback College, to teach Art History and Art Appreciation and to run the college’s art gallery. Though she was not paid for this position, it was a good chance to become knowledgeable about the workings of a public gallery. At the end of two years, Karen was hired full time and she continued as gallery director for another three years.

Life intervened again - In 1999, she saw a listing for an open position as Gallery Director of the new William D. Cannon Art Gallery and with some hesitation, she applied for it. She is very happy she did because Karen has continued as Curator of Exhibitions for the past 13 years. When she first began, the gallery hosted seven exhibitions but it has been reduced to five to offer a longer opportunity for more people to visit the exhibitions. One exhibition each year is a travel exhibition. Karen told me “ I wanted to bring the world to Carlsbad” and that she did - there have been thirty-three countries represented in the 13 year history of the gallery. Though the gallery has exhibited a wide range of media, she admits an affinity for Latin American and folk art. As with many public institutions, she says the gallery’s biggest challenge has been with budget constraints however, Karen feels fortunate to be working for a city that values the arts. The Gallery Advisory plays a large role in suggesting exhibitions and along with the Arts Office staff developed a vision statement for the gallery in which Karen takes into consideration when making decisions for future exhibitions.

Though the gallery’s exhibition plan is complete through 2014, there is one show reserved every two years for a biennial - open to San Diego County artists. Karen insists on it, and believes it gives many local area artists a wonderful chance to have their work be seen by the greater community. Karen selects outside jurors for these exhibitions, and last year’s show had sixty artists represented. From this group, Karen selects five artists for a group exhibition, providing them the opportunity to exhibit a larger body of work and having it documented with a full color catalog.

When we talked about the challenges for San Diego artists, Karen was very encouraging. Surprised by the small number of artist proposals she receives, Karen welcomes artist proposals and packets (no web links please!) which she believes should include a CD or Xerox of images, a short artist statement and CV. Contrary to many curators and exhibition directors, she does not believe that exhibition history or formal education is critical claiming that “the work speaks for itself”, and, that “older” work may be better and more relevant than an artist’s “new” work.

We discussed the closings of some good San Diego galleries in the past few years, yet Karen remains very optimistic.

She sees a lot of good work being made by San Diego artists and put it this way - “San Diego’s art community is not down for the count”.
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Cathy Breslaw is a southern California visual artist, writer and lecturer who has had over 25 solo exhibitions, and 50 group exhibitions across the country at museums, art centers, college and university galleries and commercial galleries. Her work can be found in many private and corporate collections.
Her work and writing can be seen at:
www.cathylbreslaw.com                      www.artfullifebycathy.blogspot.com                                                                                       cathybreslaw@roadrunner.com

 

 

 

 

 

 

 

 

 

 

Tuesday, June 12, 2012

Cathy Breslaw's recent gallery talk at Penn College, Williamsport, PA, May 22, 2012

This is a link to my video is of a recent gallery talk at my solo exhibition: "Illuminations", which runs through June 28th. It is always an honor and priviledge to exhibit my work - and in such a beautiful gallery space. I thank both Lenore Penfield,Gallery Director and Penny Lutz, Gallery Coordinator for this wonderful opportunity. I especially want to acknowledge Penny Lutz who installed my work and did such a great job with the placement and lighting. I view the installation process for my work at an exhibition as an actual part of the creation and completion of the artwork itself. My work depends greatly on lighting and placement. It is also good to converse with visitors viewing my work - I think the whole process of creating work, installing work, and then hearing from viewers about what they see is a collaborative process in the chain of experiencing art. It was also a real treat for me to have my former instructor at Claremont Graduate University, Connie Zehr, attend my opening and reception. My time at Penn College
was followed by 5 days in NYC where I had the chance to see the Whitney Biennial and visit from Chelsea galleries and the Metropolitan Museum of Art which, no matter where I travel, truely remains as my favorite museum. As americans, we should all treasure it and feel proud of how it is the keeper of our culture, and of many other cultural objects from around the world. A visit to the 9/11 memorial also stands out from my trip - I was there 5 years ago before the museum and memorial pools were created and it was good to be there and remember how incredibly lucky i am to be an american and to see the renewal of the human spirit represented in the re-building of the towers.

Interview with Patricia Frischer, San Diego Community Organizer for the Arts, Artist


I met Patricia Frischer in 2001,  a few years after she moved to the San Diego area. My studio was on the COVA Studio Tour and as Patricia introduced herself, and we had a conversation,  it was obvious to me how enthusiastic she was about making and seeing art , meeting artists and reaching out to the art community. In the last ten years or so, Patricia has brought her generosity of spirit, art know-how and years of experience in her own art career to pioneer and build the San Diego Visual Arts Network. She has also been the driving force in  many successful San Diego projects including Little and Large, Art Meets Fashion, Movers and Shakers, the San Diego Art Prize and the upcoming DNA of Creativity. 

 
When I asked Patricia about what advice she has for artists in the San Diego community who are charged with the difficult task of promoting themselves and their work she had one thing to say - “Don’t wait to be discovered.”  If anything has defined her journey through her art career and her life, it has been Patricia’s ability to navigate proactively through the challenges and opportunities presented to her. During our interview, Patricia told me the story of her art career and how “giving back to the visual arts community” of San Diego became her central priority which continues today.


Patricia grew up in Kansas and her first art experience that sparked an interest was jewelry-making and studying the craft side of art.  Her first two years of college were at Washington University in St. Louis.  Realizing that she belonged in an art school, Patricia moved to California where she attended the California College of Arts and Crafts. There her interest in jewelry making quickly turned into creating sculpture because as she said “My jewelry became so large that it eventually grew into sculpture“. Though she was offered a teaching position when she completed her bachelors and masters degree, Patricia thought she needed to move out into the world to gain some experience. So rather than staying in the “cocoon of the support system” at California College of Arts and Crafts, she chose to travel. She speaks fondly of her years in art school, including the many mentors and friends she had there who she still communicates with today.


So, Patricia packed her bags for London. Running out of money, she decided to stay in London and get a job and applied for a position as gallery assistant in an art gallery. During her time there, the gallery changed owners many times and the final owner, who was an entrepreneur, promoted her to gallery director and told Patricia she could create whatever kind of gallery she’d like.  Taking on this amazing opportunity, Patricia turned the gallery into one that promoted drawings - she saw that no other London galleries were promoting unique works on paper. In the process of developing the  gallery, Patricia met some famous artists including Henry Moore and Alan Jones, and organized a show of California artists which toured American embassies as part of a cultural program.  As if all that were not enough, Patricia simultaneously made and exhibited her art during this time - focusing on small soft sculptures and small paintings - simply because she had a small flat and didn’t have room for larger work.


Missing familiy connections, Patricia then returned to the U.S., and found a job running art galleries for Humboldt State University, taught a few classes and wrote a book called: Artists and the Art of Marketing.  Wanting to return to England, Patricia decided to go back to London. She proceeded to travel throughout England visiting universities presenting lectures on the content of her book on artist marketing. From this experience, she was offered a position as head of the art department at Southbank International School, which is a international baccalaureate high school. Patricia stayed at this position for 15 years, teaching students while simultaneously training art agents for MM Arts and creating her own art. During this time she met and married Darwin Slindee and in 1996 they decided to move back to the U.S.and to San Diego to live.


The San Diego Visual Arts Network, or SDVAN as it is known, came about as Patricia’s desire to bring together  artists, curators, galleries, museums, art collectors and art aficianados in San Diego county into a resource directory and a way for these various groups to become aware of one another and to unite them in a common effort to strengthen the visual arts in San Diego. Since its launch in 2003, SDVAN has grown to over 1100 artists and 860 museums, galleries and non-profit organizations.  The site also offers an events calendar, ‘Picks of the Month”, a collectors area, blogs, art reviews and more. At the beginning, Patricia asked for voluntary donations of $25.00 to obtain a listing on the site, but now Patricia says people donate freely and the site now pays for itself including the exchange of services for the listings.  As Patricia explains, the beauty of this resource directory is that it doesn’t require an office, administrators, or employees that would otherwise add costs to fund  it’s existence. Because of this, the money raised for the organization can go to help fund portions of special projects like Art Meets Fashion, Movers and Shakers, Little and Large, San Diego Art Prize and  the upcoming DNA of Creativity.  The common goal of all these projects has been Patricia’s desire to make the visual arts “front and center” to all residents of San Diego county. The most recent project, the DNA of Creativity, is planned for completion in the Fall of 2013.

 
If there is one message Patricia has it is her “belief in the power of art, how it enhances our lives - for both artists and those that appreciate it.”  She believes that artists in San Diego have opportunities in the many galleries, and alternative venues that exist in the area. Her advice to artists is to band together with others of like minds and like kinds of work. She suggests these artists groups come up with themes for shows and present their ideas directly to gallery directors.


am reminded of one of the books I’ve read by Joseph Campbell, philosopher and mythologist, who compared one’s life to the story in a novel - He said that if you look back over your life, the weaving of all the events, relationships and things that occur are like a well written story and it is easy to see how we wound up in the life we have today. It is just so with Patricia Frischer and the story she shared with me about how she went from artist, to traveler, to gallery director, to educator, to writer and how all those experiences prepared her for her fine work in the San Diego community and important contributions she has made in bringing many disparate groups together to enjoy and appreciate the visual arts.


For more information about Patricia’s work and projects:
www.DrawsCrowd.com
and visit our business web site at: www.PCbytheSea.com
Art Girls Inc networking and art event planning www.artgirls.net
SDVAN arts directory and events calendar www.SDVisualArts.net
Lecture service www.ArtProCA.com


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Cathy Breslaw is a southern California visual artist, writer and lecturer who has had over 25 solo exhibitions, and 50 group exhibitions across the country at museums, art centers, college and university galleries and commercial galleries. Her work can be found in many private and corporate collections.

Her work and writing can be seen at: www.cathylbreslaw.com



cathybreslaw@roadrunner.com