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Alessandra spoke with a great
deal of nostalgia and passion as she discussed her growing up years, education
and work experiences. She was born in Mexico City where her father was a
painter, filmmaker, and T.V. personality and her mother worked in anthropology
and archeology. Alessandra and her sisters grew up in a home filled with art
and her parents’ artist friends visiting on a
regular basis. When she was 9 years old, the family relocated to Madrid, Spain
for her father’s work. Alessandra described her home as filled with the love of
art and as an encouraging space for creativity. Whether they were building
cities out of cardboard or making costumes
for their dolls, she and her siblings were
steeped in learning about culture in all
its forms as well as taking trips to nearby archeological sites where their mom
shared her knowledge. During her early years Alessandra was mostly educated in
Montessori and private schools until the family moved to Los Angeles where she
attended Santa Monica College and then received a B.A. degree in Fine Art and
Chicano Studies from UCLA. Alessandra continued her education at UCLA and later
received an MFA in painting and printmaking.
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During her years at UCLA, Alessandra became an assistant to Judy Baca, a noted Chicano public art Muralist. Originally studying to be a painter, she helped create several murals with Baca. Along with painting, as assistant to Baca, Alessandra received training in writing grants, curating exhibitions, project management and several other practical skills in handling the challenges of the art world. She also participated in the “World Wall” project, a portable mural, collaborating with artists from several countries, and helped install the mural at the Smithsonian in Washington D.C. Although she received her MFA in painting and printmaking, her work was channeled into managing public art projects and teaching. In the late 1990s, Alessandra became a public arts officer at LA county’s Metropolitan Transportation Authority. There she managed projects from artist/architect design collaborations for subway stations and oversaw the fabrication of artworks, developed budgets and managed contracts.
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The mission of the Mesa
College Art Gallery is to present a diverse range of approaches to art making
for the student community. Alessandra presents many exhibitions that feature social, womens’ or environmental issues, and
an emphasis on figurative and representational work as well as those with a
Latina focus. Every few years she does a faculty exhibition called “Faculty
Plus One” where each faculty member invites another artist to participate
alongside the faculty members.
When asked about advice she
might give to aspiring San Diego artists, she emphasizes the practical side –
networking. Alessandra believes that
there are many venues for artists in San Diego but that artists need to reach
out and be proactive. This is the very same advice she has for her students and
with a great deal of pride, Alessandra told me of many who have been
successful, moving on to complete their degrees, some on to graduate programs, become
professors, and have other jobs in art institutions.
The next big exhibition at
the college opens September 6th, called “Seven Deadly Sins”, with
guest curator Professor Beate Bermann-Enn. No doubt Alessandra’s students have
played a big part in creating and installing the show. The show will be up through October 1st.
Any artists interested in
learning practical skills and expanding their knowledge of how to participate
successfully in the art world would be well served in the Museum Studies Program
at Mesa College under the tutelage of Alessandra Moctezuma.
I had the pleasure of being a student of Alessandra's in her Museum Studies Program which inspired me to obtain an MA from the University of Westminster in London in Visual Culture where she also served as my Thesis Advisor. She is a wonderful and enthusiastic teacher who provides the richest of environments for her students to learn within. With her author-activist-professor-husband, the two of them embody a valuable treasure of artistic, social and cultural wisdom yet to be fully exploited by San Diego cultural community. Brad Carss.
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